The House of Rimmon: A Drama in Four Acts by Henry Van Dyke

(8 User reviews)   1154
By Helena Jones Posted on Apr 1, 2026
In Category - Great Works
Van Dyke, Henry, 1852-1933 Van Dyke, Henry, 1852-1933
English
Okay, hear me out. I just read this old play from 1908 called 'The House of Rimmon,' and it’s stuck with me. It’s not your typical drama. Picture this: Naaman, a powerful Syrian general, has everything—fame, success, the king’s favor. But he also has leprosy, a death sentence in his world. The story kicks off when his wife’s Israelite servant girl suggests a wild, humbling solution: go to the prophet of a foreign God in a backwater town for a cure. The real conflict isn't just about the disease. It's about what happens when your entire identity—your loyalty to your nation, your gods, your public image—is challenged by a simple, radical demand for faith. Will the proud general bend his knee in a muddy river for a chance at healing, or will his pride be the thing that finally destroys him? It’s a surprisingly tense and human question wrapped in a classic package.
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I’ll admit, when I picked up this 1908 drama, I expected something a bit dusty. But Henry Van Dyke’s The House of Rimmon is a compact, powerful punch of a play. It’s based on a brief biblical story but expands it into a full exploration of crisis, faith, and pride.

The Story

The plot follows Naaman, commander of the Syrian army. He’s a national hero, but he’s hiding a terrible secret: leprosy. With no cure in sight, a captive Israelite servant in his household suggests he seek help from the prophet Elisha in Samaria. Desperate, Naaman travels with great pomp, expecting a grand ceremony. Instead, Elisha doesn’t even meet him face-to-face. He sends a message telling Naaman to wash seven times in the Jordan River. Naaman is furious! The muddy Jordan is beneath him. He wanted a spectacular healing, not a humiliating bath. The entire play hinges on this moment of choice. With his loyal officers watching and his own pride screaming, Naaman has to decide if he will swallow his arrogance and obey the simple, strange instruction.

Why You Should Read It

What grabbed me was how modern the central struggle feels. Naaman isn’t a villain; he’s a successful person whose very success has built walls around him. His rage at Elisha’s prescription isn’t just about the river—it’s about his entire worldview being overturned. The play asks a tough question: When faced with a solution that requires us to abandon our pride and our public persona, do we have the courage to do it? Van Dyke writes the supporting characters, especially Naaman’s clear-eyed servants, with warmth and wit. They become the voice of reason, cutting through his bluster. The dialogue is sharp, and the moral tension is real. You feel Naaman’s internal war.

Final Verdict

This is a perfect pick for anyone who loves character-driven stories about moral dilemmas. If you enjoy classic plays with big ideas—think Shaw or Ibsen, but shorter and more direct—you’ll find a lot here. It’s also great for book clubs looking for a short, discussion-rich read. The themes of humility, faith versus ritual, and the cost of integrity are timeless. Don’t let the 1908 publication date fool you; the battle Naaman fights in his soul is one we all recognize.



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Paul Williams
1 month ago

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Nancy Jones
3 months ago

Looking at the bibliography alone, the insights into future trends are particularly thought-provoking. I'll be recommending this to my students and colleagues alike.

David Taylor
1 year ago

The clarity of the concluding remarks is very professional.

Margaret Lopez
6 months ago

After spending a few days with this digital edition, the objective evaluation of the pros and cons is very refreshing. I am looking forward to the author's next publication.

Mark Miller
1 year ago

Simply put, the depth of research presented here is truly commendable. I couldn't put it down.

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