About 295 minutes
The Golden Maiden, and other folk tales and fairy stories told in Armenia — Themes and Context
Folklore
67,760 recorded words. 5 minutes difference from this book's estimate.
View Gutenberg source #46944For The Children of Odin: The Book of Northern Myths — Themes and Context, the stored edition analysis reports 68,914 words, 5 hr estimated reading time, and 9 detected text sections.
The text analysis averages about 16.3 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Mythology, Norse -- Juvenile literature,” connecting these edition facts with the source record’s subject description.
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About 295 minutes
Folklore
67,760 recorded words. 5 minutes difference from this book's estimate.
View Gutenberg source #46944About 291 minutes
Folklore
66,873 recorded words. 9 minutes difference from this book's estimate.
View Gutenberg source #70959About 322 minutes
Folklore
74,058 recorded words. 22 minutes difference from this book's estimate.
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Padraic Colum's retelling of the Norse myths opens with a striking moral tension: Odin, the All-Father, chooses gold over wisdom. When confronted by Hreidmar for the accidental killing of his son, Odin could have offered a draught from Mimir's well, but instead he thinks of treasure. This moment sets a pattern for the gods' fallible decisions throughout the narrative.
The excerpt reveals a world where even the highest powers are entangled in greed and deception. Loki's scheme to borrow Ran's net—a magical tool used to gather wreckage from the sea—underscores how the gods rely on cunning and borrowed magic to achieve their ends. The prose is direct and rhythmic, with a storyteller's cadence that suits the epic scale of the material.
In the opening episode, Odin's response to Hreidmar's demand for recompense reveals a deliberate choice: he could have offered wisdom, but instead he fixates on gold. The text states that Odin “said a word that was unworthy of his wisdom and his power.” This is not a casual slip; it is a conscious turn away from his defining attribute. The narrative emphasizes that Odin's mind “being fixed upon the gold” leads him to think of Andvari's hoard, a treasure long considered dangerous. The gods themselves knew this hoard was “not to be meddled with and that some evil was joined to it.” Yet Odin gives the word to take it. Colum's retelling thus frames the acquisition of the cursed treasure as a direct consequence of divine failure, not mere fate.
Loki's method for capturing Andvari relies on a net borrowed from Ran, the cold Queen of the Sea. The description of Ran is vivid: she stands “in the flow of the sea, drawing out of the depths with the net that she held in her hands every piece of treasure that was washed that way.” Her greed is matched by her hatred of the Dwarfs, especially Andvari. Loki manipulates this rivalry by taunting her: Andvari boasts of a greater treasure than she will ever take from the sea. The net itself is a magical object, woven by magic, and its use introduces a layer of borrowed power. Loki does not create or earn the means to capture the Dwarf; he exploits Ran's envy. This episode highlights how the gods' quests often depend on opportunistic alliances and the manipulation of others' weaknesses.
Andvari's hoard is described as “the greatest treasure in the nine worlds,” but it carries an explicit curse. The narrative notes that “all in Asgard knew of the Dwarf and of the hoard he guarded” and that “some evil was joined to it.” Despite this knowledge, Odin authorizes its seizure. The treasure's acquisition is thus tainted from the start. Colum's retelling does not immediately reveal the full consequences, but the pattern is clear: the gods' willingness to ignore warnings for material gain sets the stage for future strife. The prose builds a sense of foreboding through repetition of the hoard's danger and the gods' disregard for it. This tension between knowledge and action is a recurring structural element in the work, inviting readers to observe how each choice narrows the path toward inevitable conflict.
Readers attentive to Colum's language will notice how he uses repetition and direct dialogue to underline the gods' flawed reasoning. The exchange between Odin and Hreidmar, and Loki's negotiation with Ran, are not mere plot devices; they reveal character through choice. As you read further, watch for moments where a character's decision contradicts their established nature—these are the hinges on which the myths turn.
Reading again how Odin pays such a heavy price for a drink of wisdom, I found myself remembering the quiet way stories travel between shores. There is a similar ache in the old Hawaiian tales, where gods and humans bargain with fate and lose something dear. That gentle sorrow lingers in Hawaiian folk tales — Reading Companion, like mist over a valley I once knew.
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